The highly anticipated All Things Go NYC, the New York City iteration of the critically acclaimed D.C.-area music festival, is set to make its triumphant return this fall for its third consecutive year, promising an unparalleled celebration of female and LGBTQ+ voices in music. Slated for September 25-27, the three-day immersive experience will once again transform the historic Forest Hills Stadium in Queens into a vibrant hub of musical artistry. Today, organizers officially revealed the much-anticipated, meticulously curated "women-and-women-first" lineup, reinforcing the festival’s unwavering commitment to fostering diversity and representation within the contemporary music landscape. This announcement marks a significant moment for the festival, solidifying its unique position as a premier platform dedicated to showcasing a broad spectrum of talent often underrepresented in mainstream festival programming.

A Pioneering Vision: The All Things Go Ethos

Since its inception, the All Things Go Festival has carved out a distinctive niche by championing a "women-and-women-first" philosophy, a mission that extends beyond mere representation to actively elevate and empower female and LGBTQ+ artists across various genres. This commitment is not merely a booking strategy but a core tenet that shapes the entire festival experience, from artist selection to audience engagement. In an industry still grappling with significant gender imbalances, particularly at the headliner level of major music festivals, All Things Go stands as a beacon of progress. Recent studies, such as those by the USC Annenberg Inclusion Initiative, have consistently highlighted the persistent disparities in festival lineups, with female artists often comprising a minority of performers and an even smaller fraction of headlining acts. All Things Go directly challenges this status quo, consciously constructing a roster that reflects and celebrates the immense talent of women and non-binary artists. Furthermore, the festival’s explicit dedication to LGBTQ+ voices underscores its broader commitment to inclusivity, providing a safe and celebratory space for artists and fans alike. The "no overlapping sets" policy, a fan-favorite feature, further distinguishes the festival, ensuring that attendees can fully immerse themselves in every performance without the difficult choices often imposed by simultaneous scheduling at other multi-stage events. This thoughtful approach enhances the attendee experience, allowing for a more relaxed and comprehensive appreciation of the diverse musical offerings.

The Illustrious Lineup: Three Days of Stellar Performances

The 2026 All Things Go NYC lineup is a testament to the festival’s reputation for attracting both established stars and rapidly rising talents, meticulously arranged to deliver a cohesive and unforgettable musical journey over three days.

• Day One: Pop Powerhouses and Emerging Icons (September 25)
  The festival will kick off with a dynamic duo co-headlining the inaugural evening: Swedish pop sensation Zara Larsson and British singer-songwriter Lola Young. This appearance marks a significant milestone for Larsson, as it will be her first-ever headline festival performance, a testament to her soaring career trajectory. Larsson, who recently captivated audiences with her Midnight Sun (Girls Trip) remix album, brings a blend of electrifying pop anthems and powerful vocal delivery. Her inclusion as a headliner underscores her growing global influence and the festival’s knack for recognizing artists at pivotal points in their careers. Lola Young, celebrated for her soulful vocals and introspective songwriting, offers a compelling counterpoint, promising an evening of diverse sonic textures. Supporting these headliners are two equally compelling artists: Rebecca Black, who has successfully transitioned from internet sensation to an artist praised for her genre-bending pop, and Cara Delevingne, the multifaceted model and actress who has increasingly delved into music, bringing a unique blend of artistry to the stage. This opening day sets a high bar, blending established pop prowess with fresh, compelling voices.

• Day Two: Americana Roots and Indie Revelations (September 26)
  The second day will witness the formidable presence of Grammy Award-winning artist Brandi Carlile, who will take the helm as co-headliner. Carlile, whose eighth studio album, Returning to Myself, released last October, received widespread critical acclaim for its raw honesty and powerful storytelling, is a cornerstone of contemporary Americana and folk-rock. Her ability to command a stage with her exceptional vocal range and poignant lyrics promises a deeply moving performance. Carlile’s return to the All Things Go stage as an alumna highlights the festival’s strong relationship with artists who resonate with its mission. Joining her are a diverse array of talents including Sienna Spiro, whose burgeoning career is marked by distinctive genre fusions; CMAT, the Irish country-pop sensation known for her witty lyrics and captivating stage presence; Jensen McRae, celebrated for her poignant storytelling and viral social commentary through music; and the newly musical comedienne Meg Stalter, who brings an unpredictable and entertaining element to the lineup. This day promises a rich tapestry of sounds, from folk to alternative, infused with humor and heartfelt expression.

• Day Three: Indie Anthems and Pop Perfection (September 27)
  The festival will conclude with an exhilarating lineup co-headlined by the acclaimed indie-pop trio MUNA and pop icon Carly Rae Jepsen. MUNA, fresh off the release of their critically lauded album Dancing on the Wall, is known for their anthemic soundscapes and empowering lyrics, which have garnered them a dedicated fanbase. Their performance is anticipated to be a high-energy culmination of the festival’s spirit. Carly Rae Jepsen, a beloved figure in pop music, continues to enchant audiences with her infectious melodies and sophisticated pop craftsmanship. Her inclusion ensures a joyous and dance-filled close to the event. Both MUNA and Jepsen are All Things Go alumni, further cementing their connection to the festival’s mission. Completing the final day’s roster are hemlocke springs, an artist quickly gaining traction for her unique and experimental sound; the Beaches, the Canadian rock band known for their vibrant energy and catchy tunes; and Grace Ives, whose distinct electronic pop sound has earned her critical praise. This closing day promises an electrifying mix of indie and pop, sending attendees off on a high note.

  

The All Things Go Legacy: Expansion and Influence

The All Things Go Festival, which originated in Washington, D.C., has steadily grown in prominence and reach, expanding its footprint beyond its flagship event to become a significant force in the North American festival circuit. The introduction of an NYC iteration in 2024 and a Toronto version in 2025 demonstrates a strategic vision to bring its unique curation and inclusive mission to broader audiences.

The upcoming Toronto version, scheduled for early June, features an equally impressive roster of female-led talent, including Kesha, Lorde, Wet Leg, and Del Water Gap. This expansion into Canada highlights the festival’s growing international appeal and its ability to attract top-tier artists across different markets. The flagship event in Washington, D.C., which traditionally runs concurrently with the New York festival on the same weekend, continues to be a cornerstone of the festival’s identity. While sharing many of the same headliners as the NYC lineup, the D.C. event also boasts its own distinct draws, featuring artists such as Hayley Williams, the lead vocalist of Paramore and an influential solo artist; Slayyyter, known for her hyperpop aesthetic; Magdalena Bay, celebrated for their dreamy synth-pop; Suki Waterhouse, the model-turned-singer-songwriter; and the acclaimed indie-folk artist Father John Misty, among others. This dual-city approach maximizes the festival’s impact, offering diverse experiences while maintaining a cohesive brand identity rooted in quality curation and a commitment to artist diversity. The careful orchestration of these events, often sharing headline talent while offering unique supporting acts, demonstrates a sophisticated understanding of logistics and market appeal, allowing the festival to cater to distinct regional preferences while amplifying its core message across a wider geographic area.

Forest Hills Stadium: A Historic Venue for a Modern Movement

The choice of Forest Hills Stadium as the venue for All Things Go NYC is a deliberate one, adding another layer of significance to the event. Originally built in 1923 as a tennis stadium, this Queens landmark has a rich history of hosting legendary musical acts, from The Beatles and Frank Sinatra to more contemporary stars. Its intimate yet grand open-air setting provides an ideal backdrop for a festival of this caliber, offering excellent sightlines and acoustics. The stadium’s legacy as a cultural hub resonates deeply with All Things Go’s mission to create memorable and impactful musical experiences. Its re-emergence as a premier concert venue in recent years has made it a favorite among artists and concertgoers alike, symbolizing a blend of historical reverence and contemporary relevance that perfectly aligns with the festival’s ethos.

Broader Implications and Industry Impact

The sustained growth and success of All Things Go, particularly its expansion into major markets like New York and Toronto, carry significant implications for the wider music industry. The festival serves as a powerful proof of concept, demonstrating that a "women-and-women-first" and LGBTQ+ inclusive lineup is not only viable but highly desirable and commercially successful. In an era where diversity and inclusion are increasingly recognized as essential, All Things Go provides a tangible model for other festivals to emulate. Its consistent dedication to providing a platform for artists often overlooked by larger, more traditional festivals helps to address systemic inequalities, fostering a more equitable and representative music ecosystem. The festival’s "no overlapping sets" policy also sets a benchmark for audience-centric festival design, prioritizing the fan experience and maximizing the opportunity for discovery. This approach contributes to a more positive and less stressful festival environment, encouraging deeper engagement with the music. Furthermore, by consistently featuring both established stars and emerging talents, All Things Go plays a crucial role in artist development, providing valuable exposure for up-and-coming musicians and strengthening their careers. The economic impact on Queens and the surrounding New York City area is also substantial, drawing thousands of attendees, generating revenue for local businesses, and creating temporary employment opportunities.

Ticketing Information and What to Expect

Enthusiasts eager to secure their spot at this groundbreaking festival are encouraged to visit the official All Things Go Festival NYC website for comprehensive ticket presale information. Given the festival’s growing popularity and its unique value proposition, high demand is anticipated, particularly for early bird and presale access. The full lineup, visually presented through the official festival poster, provides a complete overview of the artists gracing the stage each day, allowing attendees to meticulously plan their experience. All Things Go NYC is more than just a music festival; it is a cultural movement, a celebration of artistry, and a powerful statement about the future of music, one that is diverse, inclusive, and exceptionally talented. Its continued evolution promises to shape the festival landscape for years to come.